I loved catching up with the final chapters of Helen’s newly released paperback edition, despite real life catch ups and chats, these insights into working with the likes of the Bluebells (Helen also not only met Clare Grogan TWICE, the second time she got a hug, I was so jealous I’m almost cross 😉😆😆), Tanita, and my favourite of all working with Tim Burgess and the Royal Northern College of Music, are all worth the cost of the book alone.
I couldn’t just reread the final chapters, I had to go back to that inspirational reacquaintance with the violin from the back of the cupboard and begin again from there. Of particular interest were the chapters describing English folk music traditions dating back to the 17thC (something I’d fully intended to explore but have not quite got around to yet, not shocked face), they’re brilliant, informative but never dull. A living breathing tradition. There’s a whole world out there of music and tradition that I’ve entirely missed out on**.
All of it enthused with joy, positivity and determination. The Commonwealth Games chapter is also another favourite. The most beautiful of all though is the short chapter to Kai, Helen’s Grandson.
If you’ve only read the hardback you’re missing out.
** It’s happening every day and here is me thinking “I’m not overly fond of folk music” but this all sounds fascinating – plus I hypocritically love Welsh folk music from the likes of Cerys Hafana – so I’m intrigued to know of an English folk tradition out there that perhaps isn’t just singer guitarists.


