Blog

  • Nostalgia

    Nostalgia

    My nostalgia mode kicks in every time I hear The Lovin’ Spoonful’s Summer in the City or tunes like Downtown. Forever played back in my head via the tinny transistor radios wherever we would go, in the kitchen at home and in every shop.

    Kind of ironic given that I grew up in semi-rural South Shropshire after leaving Bearwood aged 18 months old. Mom tells me that I’d yell “I want me Nan” every time I was unhappy and I can imagine just how spoiled I was in that first home in Bearwood. My Nan and Grandad putting up my Mom, Dad and me, their first grandchild, plus two lovely Uncles and twin Aunties who were only ten years older than me. I have no memories of that first 18 months but many happy memories of later visits, the trees that grew out of wobbly block bricked pavements from my low down eyeline and visits to Warley Woods to feed the squirrels. There was a lot of love in that house and perhaps as important a lot of laughter. Lots of relatives just a walk away too and another warm welcome. Tea from a china cup will always remind me of Dad’s old family home the other side of Warley Woods along Hurst Rd. I returned to my Nan and Grandad’s in Bearwood aged 18 and was spoiled again right into my early 20s.

    Town meant something different then, hopping on the number 9 or any other city centre bound bus along the Hagley Rd would be a trip “to town”.

    Those tunes though šŸ‘Œ

  • What’s She Like – new paperback edition

    What’s She Like – new paperback edition

    I loved catching up with the final chapters of Helen’s newly released paperback edition, despite real life catch ups and chats, these insights into working with the likes of the Bluebells (Helen also not only met Clare Grogan TWICE, the second time she got a hug, I was so jealous I’m almost cross šŸ˜‰šŸ˜†šŸ˜†), Tanita, and my favourite of all working with Tim Burgess and the Royal Northern College of Music, are all worth the cost of the book alone.

    I couldn’t just reread the final chapters, I had to go back to that inspirational reacquaintance with the violin from the back of the cupboard and begin again from there. Of particular interest were the chapters describing English folk music traditions dating back to the 17thC (something I’d fully intended to explore but have not quite got around to yet, not shocked face), they’re brilliant, informative but never dull. A living breathing tradition. There’s a whole world out there of music and tradition that I’ve entirely missed out on**.

    All of it enthused with joy, positivity and determination. The Commonwealth Games chapter is also another favourite. The most beautiful of all though is the short chapter to Kai, Helen’s Grandson.

    If you’ve only read the hardback you’re missing out.

    ** It’s happening every day and here is me thinking ā€œI’m not overly fond of folk musicā€ but this all sounds fascinating – plus I hypocritically love Welsh folk music from the likes of Cerys Hafana – so I’m intrigued to know of an English folk tradition out there that perhaps isn’t just singer guitarists.

  • Eraserhead

    Eraserhead

    Eraserhead is fear, it’s dread, darkness and a glimpse of a place and a time that never was.

    I remember the first time I ever watched, it was on a tourbus and it’s no exaggeration to say it didn’t go down well at all with the captive audience. I never forgot those mini-chickens though šŸ˜„

    So glad I returned to watch again, a little older and maybe you know…

    https://youtu.be/awVNCIjQq1A

  • Webshite

    One day I’m going to fix this site but for now it’s a bit shite, a webshite with an off the shelf theme just to get it back up and running.

    One day…

    It’s funny you know because I’m forever torn on the concept of blogging because it’s a bit “me, me, me” but then again, if you don’t have confidence in your writing then why write, but I love that bit.

    Remember when Twitter appeared as the new “microblogging” platform, whatever happened to that then?!